Top Hats & Twirls: An Ode to Astaire/Rogers


They’re considered the most iconic dance partners on film. Their classiness transcended their films and their romantic lullabies created a space for elegance to thrive in a world depressed by war. We are talking, of course, of Fred Astaire and Ginger Rogers, whose multiple film collaborations made them the most iconic male-female musical duo of their time, my pick for this month’s Dynamic Duo in Classic Film Blogathon.

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Revue: An American in Paris (1951) ๐Ÿ‡ซ๐Ÿ‡ท



Often overlooked and often compared to its more iconic counterpart,ย Singin’ in the Rain, is one of my favorite pictures to watch on days when there’s nothing to do or when there’s too much to do.ย Ifย Singin’ in the Rain is that classic Hollywood romp you watch late at night until 1:30am in the morning (andย what a lovely morning!), thenย An American in Paris is its daytime Parisian companion piece.

The charm and positive attitude ofย An American in Paris is what always gets to me. Hollywood will always be Hollywood with its sawdust soundstages and thin wooden sets, but the old-world charm of the Paris setting completely transports you to a land of culture where everyone is either in the arts or sipping espressos in the Latin Quarter.

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Grazing the 2018 TCM Film Festival


Despite the ease of access – and despite being so in love with classic cinema – I have never been to the TCM Film Festival until this year. After starting this blog, I decided I probably should immerse myself in the classic film community and share the joys of watching the likes of Gable and Garbo onscreen.

This year, I decided to test the waters and graze the movie screenings and free events at the TCMFF. The level of passion in classic movie fans is unlike anything else I’ve ever seen. There’s so much respect in the movie palaces – nobody checks their phone or whispers to each other. It’s immersive and transformative, an intimate relationship between the screen and the audience-goer.

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Revue: Royal Wedding (1951) ๐Ÿ‘‘

MV5BY2FlZmMyMjktOTAzYy00ZmYzLWJhNjMtMjljOWY1ZjVhZjM3XkEyXkFqcGdeQXVyNjc0MzMzNjA@._V1_UX182_CR0,0,182,268_AL_.jpgIn what must’ve been the most biographical picture of Fred Astaire’s career, the wedding of Princess Elizabeth and Philip Mountbatten (soon to be Queen Elizabeth II and Prince Philip) serves as the most delightful backdrop to not one, but two intercontinental romances. This is the film that gave us not one, but two iconic Astaire dance numbers. And so late in Astaire’s second career – after all, he had only come out of retirement three years prior to work with Judy Garland onย Easter Parade.

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