Revue: A Trip to the Moon (1902) 🌝

There must’ve been something pure about making movies back in the 1900s. There was no structure put in place that demanded certain expectations of what a motion picture was, no ego involved that required the creation of celebrity, or the net profits reaped from the industry of filmmaking.

george-melies-mephisto-de-faust

In the days of Georges Méliès, filmmaking wasn’t even an “art form”, it was a plaything. The movie camera was a new toy for magicians and engineers to fool around with. They used it to record performances – and when they realized the potential of technical, visual trickery, they began using the movie camera to manipulate the proscenium arch, devising realms of impossibility. In those days, a filmmaker was a cinémagicien.

Continue reading “Revue: A Trip to the Moon (1902) 🌝”

Advertisements